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“The White Old Maid” by is his most tantalizing narrative experiments.

The tableau is memorably : illuminated by moonlight, through the window of a mansion, the corpse of a young man who lies upon his bed, flanked by two beautiful young women—one “proud and stately,” whom he had not chosen, “and the other, a soft and fragile thing,” who was destined to be his wife. The second—and final—tableau shows us the same two women reunited in old age.

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